Editorial Board

[…] Ellipses Journal of Creative Research is managed by an Editor in Chief and Digital Editor, currently both roles are held by Dr. Tegan Bristow. The Editor in Chief is supported by an Editorial Board made up of Wits School of Arts, non Wits affiliated Regional members and non Wits affiliated International members. Each issue is edited by an Issue Editor elected by the Editorial Board. ~ Editorial Board pending final constitution

Wits School of the Arts Members

Prof. Christo Doherty Deputy Head of Research at the WITS School of Arts. Bettina Malcomess is a writer, academic and artist. Her work exists in a diverse set of media and forms, ranging from long duration performance, to the staging of shorter interventions, and installation projects to the book as site of practice. She produces performances under the name Anne Historical. Malcomess’ writing traverses art, film, history, urbanism, as well as fiction. She co-authored the book Not No Place. Johannesburg, Fragments of Spaces and Times (Jacana, 2013). She was the visual editor of the book Routes and Rites to the City: Mobility, Diversity and Religious Space in Johannesburg (Palgrave, 2017). She has recently formed an interdisciplinary project called the joining rooma non|space for intermedial intimacies. Historical/Malcomess’ work has shown at various national and international exhibitions and spaces. She is a lecturer in Visual Arts at Wits School of Arts and is currently doing a PhD in Film Studies at Kings College, London. Zen Marie is the founder of the […] Ellipses Journal (2015) – Marie is an artist who works in a variety of media. Core to his practice is a concern with how meaning is formed through different media, spaces and processes. While working from a position that begins with photography and film making he also works in performance, sculpture, graphic processes and writing. His areas of focus have included international sport, identity, nationalism, and public infrastructure. The binding link between these diverse areas has always been the relationship between desire, power, agency and their subversion. Marie currently lives and works in Johannesburg, South Africa, where he is a Lecturer in Fine Art art at the WITS School of Art. He is also a PhD candidate at WITS, with a focus on areas of art and theory in relation to what he calls situated aesthetic practice. Prof. Brett Pyper Head of the WITS School of the Arts.

Regional Members

James Macdonald is the Curatorial and Research Manager at the Visual Identities in Art and Design Research Centre (VIAD), University of Johannesburg. In that capacity he is currently facilitating a number of long-term research platforms and exhibition projects, in conversation with local and international scholars and curators. In addition to these and other research-related projects, he has curated two print-related exhibitions at the Iziko South African National Gallery, and was co-curator for the 2017 and 2018 ICA Live Art Festivals, Cape Town. Mpho Matsipa has lectured in architectural design, planning and African urbanism, at WITS School of Architecture and Planning and at Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP). Dr. Matsipa has curated the South Africa Pavilion at the 11th International Architecture Exhibition, Venice Biennale (2008) and Studio-X Johannesburg (Columbia University; 2013-2016), and has in the past been appointed as an Adjunct Assistant Professor and Research Associate  at Columbia GSAPP. Her research interests include design and urbanism in African cities, spatial justice, aesthetics and shape-shifting. As Fulbright Scholar and Carnegie Grant recipient, she earned her Ph.D. in Architecture, from the University of California, Berkeley.  She currently works as a researcher at WISER and lecturer in the School of Architecture and Planning at Wits.  Dr. Matsipa  is the curator of the African Mobilities Exhibition at the Architektur Museum der TU München(Pinokothek der Moderne, Germany) 2018. Molemo Moiloa lives and works in Johannesburg, and has worked in various capacities at the intersection of creative practice and community organising. Molemo’s academic work has most recently focused on the political subjectivities of South African youth. She is also one half of the artist collaborative MADEYOULOOK, who explore everyday popular imaginaries and their modalities for knowledge production. Moiloa is currently deputy director of the forthcoming Joburg Contemporary Art Foundation. She was previously Director of the Visual Arts Network of South Africa (VANSA). Before that, she has worked within the Market Photo Workshop, the Social Anthropology department at the University of the Witwatersrand, and in a freelance capacity on a wide range of creative initiatives. Molemo has both a BA Fine Arts (cum laude) and MA Social Anthropology (cum laude) degree from WITS.

International Members

Reece Auguste Assistant Professor, University of Boulder in Colorado (USA). He is a documentary filmmaker and scholar whose research focuses on national cinemas, transnational screen cultures and documentary media practices. He was a co-founder of the seminal Black Audio Film Collective, which was at the forefront of radical filmmaking in ‘80s and ‘90s Britain. With BAFC, Auguste wrote and directed the award winning Twilight City and Mysteries of July. His essays on screen aesthetics and documentary practices have appeared in Framework, Cineaction, Undercut, Journal of Media Practice, The British Avant-Garde Film 1926-1995, Questions of Third Cinema, Dark Eros, The Encyclopedia of Southern Culture: Media and The Ghosts of Songs: The Film Art of the Black Audio Film Collective. He is the recipient of the Grand Prize at Melbourne International Film Festival; Josef Von Sternberg Award, for most original film of the Mannheim International Film Festival, Golden Hugo Award for best Documentary at the Chicago International Film Festival, and the International Documentary Association. Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the arts collective Furtherfield, beginning on the Internet in 96. Furtherfield has two physical venues, a gallery and a Commons lab, both situated in the park, in Finsbury Park, London. Co-founder DECAL Decentralised Arts Lab, an arts, blockchain & web 3.0 technologies research hub for fairer, more dynamic & connected cultural ecologies & economies now. Has curated over 50 contemporary Media Arts exhibitions, projects nationally and internationally. Curated the renowned major exhibition Monsters of the Machine: Frankenstein in the 21st Century, at Laboral, Spain. Main editor of the Furtherfield web site. Written for various books and articles about art, technology and social change. Two key Furtherfield publications include co-editing of Artists Re:Thinking Games with Ruth Catlow and Corrado Morgana 2010, and recently on Artists Re:thinking the Blockchain with Ruth Catlow, Nathan Jones and Sam Skinner 2017. State Machines: Reflections & Actions at the Edge of Digital Citizenship, Finance, & Art. Edited by Yiannis Colakides, Marc Garrett, Inte Gloerich. Institute of Network Cultures, Amsterdam 2019. Will be publishing another book in 2020 called, Frankenstein Reanimated: Conversations with Artists in Dystopian Times. Just ended his Phd at the University of London, Birkbeck College. George Shire is a London based, Zimbabwean cultural theorist, self styled Bandungist and historian of ideas who has been engaged with questions of knowledge from the global south, with visual culture and decolonisation, and with tracking histories of art education in Southern Africa. His intellectual interests are moored inside the cultural studies tradition set out by Stuart Hall. His research interests are primarily in the intersections of artistic and political practice; working at the intersection of black studies, the place of colonialism in the making of modernity, and the material and technical politics of the Indian ocean. He is a member of the international editorial boards of the British New Left Journal “Soundings” and the peer reviewed journal DarkMatter. He previously taught at the Richmond Upon Thames College, London; the Open University; Central Saint Martin’s College of Art & Design, University of the Arts London; and Birkbeck College, University of London. He is a DJ, Jazz Saxophone player and I-Phone Photographer. Gary Stewart has been involved in pioneering electronic media projects around the world as an artist, producer and curator for almost three decades. The projects explore social and political issues through interrogating the relationship between culture, technology and creativity, particularly those models of practice that are investigating the capacity of digital arts to create active citizenship. Between 1995-2010 he was Head of New Media at Iniva, the Institute of International Visual Arts, London where he curated Iniva’s digital programme including installations, exhibitions, public and online projects. Stewart is a founder member of London based interdisciplinary artist, research and performance group Dubmorphology. Within academia he is an external Phd examiner for School of Performance and Screen Studies, Faculty of Arts and Social Sciences at Kingston University and Artist Associate at People’s Palace Projects an arts organisation at Queen Mary, University of London who have established a Creative Lab in Rio de Janeiro, Brazil.