By Bev Butkow, Benjamin Crooks ,
A creative process that brings together weaving, materials and my embodied rhythms of work. The process manifests in tactile material objects that I call embodied-entanglements.
By Kristina Johnstone, Thalia Laric, Glen Mudau,
Monsters and Fossils uses the interaction of performers’ bodies and light to explore disappearances and appearances of the body. The dance asks how our imagination can be used to create physical situations that transcend the body’s representation and essentialised notions of identity.
By Garth Erasmus, Marietjie Pauw, Francois Blom, Andrea Hayes,
In this compilation that we call Improvising Khoi’npsalms, we as musicians reflect on some of the lingering effects that Khoi’npsalms deposited with us.
By Carly Whitaker, Glen Mudau,
The primary frame for this article is the network that has been established over the past five years through Floating Reverie, an online residency for artists engaging with contemporary new media and digital culture in South Africa.
By Natalie Paneng, Andrea Hayes,
Hey guys, welcome to my channel. If you’re new to my channel, I hope you like and subscribe. My name is Natalie Paneng and today we are going to be doing a breakdown about the Internet, my alter-egos and embodiment ...
By Sven Christian, Atiyyah Khan, Phumlani Pikoli, Wairimu Muriithi, Kaushik Sunder Rajan, Stacy Hardy, Andrea Hayes,
This project consists of a series of short stories. They are based on each author’s experience of Dumile Feni’s scroll, which spends most of its time wrapped in a padded box in Wits Art Museum’s (WAM) storeroom—a climate-controlled, access-only facility.
By Jonathan Cane, Mishka Naidoo, Andrea Hayes,
A living archive of older queer residents in Joburg.
By Marianne Thesen Law, Felix Kawitzky, Alana Blignaut,
An archive for interdimensional exploration and paranormal curiosity.